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Literature-in-English

AI prompts for senior secondary learners.

More than one set-text list, on purpose

WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.

📝 2 Literature-in-English practice tests with answers →📅 36-Week WAEC Study Guide for Literature-in-English →
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264 prompts matching "Shape of a passage-based drama answer"

Quiz: The beast fable and what Chaucer does with the form

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Spot my mistake: Calling every comparison a metaphor even where the word like or as is present

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Spot my mistake: Treating a first-person narrator's opinions as the novelist's own view

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Spot my mistake: Treating a soliloquy as a monologue spoken to another character on stage

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Spot my mistake: Treating two contrasting settings in a play as mere locations rather than as opposed values

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Spot my mistake: Describing what a character does when the question asks about the technique used to present them

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Spot my mistake: Assuming a novel told through several viewpoints has no single controlling design

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Spot my mistake: Assuming a child narrator understands everything the reader is meant to understand

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Spot my mistake: Choosing quotations for their beauty rather than for what they prove

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Spot my mistake: Saying what a symbol stands for without showing where the text supports the reading

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Spot my mistake: Assuming a play built on real historical figures is bound to follow the historical record

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Spot my mistake: Treating a poem's subject matter as its theme

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Spot my mistake: Assuming a refrain carries the same weight on every repetition

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Spot my mistake: Reading a first-person poem as autobiography and judging it true or false

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Spot my mistake: Summarising a play act by act when the question asks where its turning point falls

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Spot my mistake: Assuming a tragic figure must be admirable throughout for the tragedy to work

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Spot my mistake: Assuming a novelist who presents a practice sympathetically must be endorsing it

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Spot my mistake: Treating a journey in a novel as movement between places rather than as a change in the traveller

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Spot my mistake: Calling an object that recurs in a novel a symbol without asking what it is made to carry

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Spot my mistake: Writing on injustice in a novel from opinion alone with no evidence from the trial scenes

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