Literature-in-English

AI prompts for senior secondary learners.

More than one set-text list, on purpose

WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.

📝 2 Literature-in-English practice tests with answers →📅 36-Week WAEC Study Guide for Literature-in-English →

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Year group:All years SS 1 SS 2 SS 3

Year 12 key words:character dramatic technique essay questions literary devices poetic form Shakespeare the novel theme tone and mood tragedy and comedy unseen passages

336 prompts matching "Understand dramatic form and the effect of performance on meaning"

Let me explain: The sea and clam imagery in Soyinka's Night

PPJ-LIE-00501 Similar prompts

I have just studied the sea and clam imagery in Soyinka's Night in my SS3 Literature-in-En

Literature-in-English

Let me explain: The sea and clam imagery in Soyinka's Night

Quiz: Akanni, Danladi and Chinwe as the three victims

Let me explain: The stonecutter as narrator of The Stone

Spot my mistake: Saying what a symbol stands for without showing where the text supports the reading

Practice set: Analysing a scene for its dramatic technique

Practice set: A timed unseen prose exercise of 120 to 150 words

Teach me: The order in which to approach an unseen poem

Teach me: Fina as the central character

Teach me: The Liberian setting after civil war

Teach me: Bendu as the central consciousness

Teach me: Maycomb in the 1930s as a setting

Teach me: Atticus Finch and his moral position

WAEC prep: Harper Lee's use of a child's point of view

Teach me: Lucas as the central figure

WAEC prep: Ademilua-Afolayan's dramatic technique

Teach me: The Birling household in 1912 as a setting

Teach me: Angelou's Still I Rise and its defiance

Teach me: Act 1 and Antony's divided loyalty

Teach me: Act 4 and Antony's final defeat

Teach me: Rome as duty, order and politics