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Literature-in-English

AI prompts for senior secondary learners.

More than one set-text list, on purpose

WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.

📝 2 Literature-in-English practice tests with answers →📅 36-Week WAEC Study Guide for Literature-in-English →
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192 prompts matching "Character-analysis paragraphs using a point–evidence–explanation structure"

Practice set: Writing on responsibility with quotation

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Quiz: The questions of who or what he is

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Quiz: His use of silence as a legal defence

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Practice set: Arguing a case on More's conscience

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Quiz: How he speaks to the audience

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Quiz: The catalogue of false faces

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Practice set: Writing a comparative answer on cultural change

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Quiz: The persona's helplessness in Night

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Practice set: Comparing the political stance of the two poems

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Quiz: The celebratory diction of Hearty Garlands

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Practice set: Comparing celebration and lament across the two

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Quiz: The movement from outward beauty to inward goodness

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Practice set: Comparing how each poem uses physical detail

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Quiz: The questions the persona throws at the reader

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Practice set: Comparing three very different poetic voices

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Practice set: The ending of Once Upon a Time and the wish to relearn how to laugh

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Quiz: The new generation and its inward turn in New Tongue

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Quiz: Akanni, Danladi and Chinwe as the three victims

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Practice set: The yam in the savouring mouth as an image of comfort

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Quiz: The beast fable and what Chaucer does with the form

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