Literature-in-English

AI prompts for senior secondary learners.

More than one set-text list, on purpose

WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.

📝 2 Literature-in-English practice tests with answers →📅 36-Week WAEC Study Guide for Literature-in-English →

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Year group:All years SS 1 SS 2 SS 3

Year 12 key words:character dramatic technique essay questions literary devices poetic form Shakespeare the novel theme tone and mood tragedy and comedy unseen passages

336 prompts matching "The ending: what is resolved, what is left open, and why"

WAEC prep: Priestley's message and the year he wrote in

PPJ-LIE-00416 Similar prompts

Act as a WAEC/NECO Literature-in-English examiner. I am in SS 3. Set me five exam-style qu

Literature-in-English

WAEC prep: Priestley's message and the year he wrote in

WAEC prep: The effect of his final speech

Practice set: Analysing his function rather than his identity

Teach me: The oath More refuses and why

WAEC prep: Whether More is heroic or obstinate

WAEC prep: The contrast between him and More

Teach me: The father's plea to his son in Okara's poem

WAEC prep: The final stanza of Not My Business and its warning

Quiz: The celebratory diction of Hearty Garlands

Practice set: Comparing celebration and lament across the two

Teach me: The defiant voice of Still I Rise

Quiz: The new generation and its inward turn in New Tongue

Quiz: Akanni, Danladi and Chinwe as the three victims

Practice set: The woman's three days and nights of silence in The Stone

Spot my mistake: Calling every comparison a metaphor even where the word like or as is present

Spot my mistake: Treating a first-person narrator's opinions as the novelist's own view

Spot my mistake: Treating a soliloquy as a monologue spoken to another character on stage

Spot my mistake: Assuming the persona of a poem is always the poet speaking in their own voice

Spot my mistake: Treating two contrasting settings in a play as mere locations rather than as opposed values

Spot my mistake: Writing a character sketch as a list of adjectives with no evidence from the text