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Literature-in-English

AI prompts for senior secondary learners.

More than one set-text list, on purpose

WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.

📝 2 Literature-in-English practice tests with answers →📅 36-Week WAEC Study Guide for Literature-in-English →
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302 prompts matching "Peer marking against a checklist of definition, example and effect"

Project task: Timed comparative essay of 40 minutes, followed by a self-count of references to each text in

Give me a practical task on timed comparative essay of 40 minutes, followed by a self-coun

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Real-life Nigeria: Shape of a passage-based drama answer

Show me how shape of a passage-based drama answer works in real life in Nigeria. Use one c

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Spot my mistake: Writing a 45-minute passage-based essay of at least 550 words

Show me a worked example on writing a 45-minute passage-based essay of at least 550 words

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Let me explain: Sit a full timed sequence of one unseen response

Let me talk you through sit a full timed sequence of one unseen response from the Timed Pa

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Practice set: Measuring Antony against his former self

Give me a practice set on measuring Antony against his former self for SS2 Literature in E

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Project task: Building a two-column Rome and Egypt contrast grid

Give me a practical task on building a two-column Rome and Egypt contrast grid from Antony

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WAEC prep: Submit a plot summary of Acts I to III in no more than 250 words

Act as my WAEC Literature in English examiner. I am in SS2. Set me an exam-standard questi

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Quiz: The effect of Cleopatra's final speeches

Set me a quick recall test on the effect of Cleopatra's final speeches at SS2 level. Five

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Practice set: Structure of Shakespearean tragedy, mapping Acts IV

Give me a practice set on structure of Shakespearean tragedy, mapping Acts IV for SS2 Lite

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Spot my mistake: The subject matter of each poem

Give me a wrong or muddled explanation of the subject matter of each poem from the Osundar

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WAEC prep: How Okara conveys regret in the closing stanzas of 'Once Upon a Time' in a 20-minute response

Act as my WAEC Literature in English examiner. I am in SS2. Set me an exam-standard questi

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Quiz: The background of S. O. H. Afriyie-Vidza

Quiz me on the background of S. O. H. Afriyie-Vidza, from the SS2 Literature in English to

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Let me explain: The structure of each poem, including stanza shape

Act as my study partner. I will teach you the structure of each poem, including stanza sha

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Real-life Nigeria: Producing a structure map of each poem on A3

Take producing a structure map of each poem on A3 out of the textbook. Describe a real Nig

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WAEC prep: Writing a comparison paragraph of at least 200 words on how the two poets use natural imagery

Act as my WAEC Literature in English examiner. I am in SS2. Set me an exam-standard questi

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Practice set: Dramatised reading of 'The Telephone Call' in pairs

Give me a practice set on dramatised reading of 'The Telephone Call' in pairs for SS2 Lite

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Project task: Rewrite four lines of 'The Telephone Call' as a formal letter

Set me a small project on rewrite four lines of 'The Telephone Call' as a formal letter, t

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Practice set: Notate the full rhyme scheme of 'The Stone

Set me five practice tasks on notate the full rhyme scheme of 'The Stone, at the level exp

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Practice set: How Gibson makes the ending of 'The Stone' moving, in 25 minutes

Set me five practice tasks on how Gibson makes the ending of 'The Stone' moving, in 25 min

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Real-life Nigeria: Recording every stage direction and to ask what an audience sees rather than hears at that

Take recording every stage direction and to ask what an audience sees rather than hears at

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