Literature-in-English
AI prompts for senior secondary learners.
More than one set-text list, on purpose
WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.
336 prompts matching "Comment on the playwright’s dramatic technique"
Quiz: The new generation and its inward turn in New Tongue
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Subscribe to unlock allPractice set: The three generations of diggers in Heaney's poem
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Subscribe to unlock allQuiz: The dialogue form of The Telephone Call
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Subscribe to unlock allLet me explain: The stonecutter as narrator of The Stone
I have just studied the stonecutter as narrator of The Stone in my SS3 Literature-in-Engli
Subscribe to unlock allPractice set: The woman's three days and nights of silence in The Stone
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Subscribe to unlock allSpot my mistake: Calling every comparison a metaphor even where the word like or as is present
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Subscribe to unlock allSpot my mistake: Treating a first-person narrator's opinions as the novelist's own view
Act as my SS3 Literature-in-English tutor. Write a short answer on treating a first-person
Subscribe to unlock allSpot my mistake: Treating a soliloquy as a monologue spoken to another character on stage
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Subscribe to unlock allSpot my mistake: Retelling what happens in an unseen passage instead of answering the question asked about it
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Subscribe to unlock allSpot my mistake: Assuming the persona of a poem is always the poet speaking in their own voice
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Subscribe to unlock allSpot my mistake: Treating two contrasting settings in a play as mere locations rather than as opposed values
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Subscribe to unlock allSpot my mistake: Answering a question on theme by narrating the plot from beginning to end
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Subscribe to unlock allSpot my mistake: Treating forgiveness and forgetting as the same movement in a novel of reconciliation
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Subscribe to unlock allSpot my mistake: Choosing quotations for their beauty rather than for what they prove
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Subscribe to unlock allSpot my mistake: Confusing the tone of a novel with the mood it creates in the reader
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Subscribe to unlock allSpot my mistake: Assuming a play built on real historical figures is bound to follow the historical record
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Subscribe to unlock allSpot my mistake: Assuming a refrain carries the same weight on every repetition
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Subscribe to unlock allSpot my mistake: Summarising a play act by act when the question asks where its turning point falls
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Subscribe to unlock allSpot my mistake: Treating the death of the title character as the end of a play's action
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Subscribe to unlock allSpot my mistake: Writing on injustice in a novel from opinion alone with no evidence from the trial scenes
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