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Literature-in-English

AI prompts for senior secondary learners.

More than one set-text list, on purpose

WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.

📝 2 Literature-in-English practice tests with answers →📅 36-Week WAEC Study Guide for Literature-in-English →
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302 prompts matching "How the playwright resolves the central conflict and what the resolution implies"

Spot my mistake: Four differences between the thin and the developed sample answers

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Spot my mistake: Sentence length, paragraph breaks and dialogue as deliberate choices rather than incidental

Show me a worked example on sentence length, paragraph breaks and dialogue as deliberate c

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Teach me: How a single poem's form contributes to its meaning, without reference to the poet's biography

You are my personal SS2 Literature in English tutor. Teach me how a single poem's form con

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Spot my mistake: Submit a completed station sheet showing at least four contributions across the four poems

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Practice set: Rank the four poems on a shared theme and justify the ranking in four sentences

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Quiz: Own scripts against the assessment criteria and set three specific targets

Set me a quick recall test on own scripts against the assessment criteria and set three sp

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Spot my mistake: Submit a written timing plan and evidence, in the script, that it was followed

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Teach me: The action of Acts I to III of Antony and Cleopatra

You are my personal SS2 Literature in English tutor. Teach me the action of Acts I to III

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Quiz: The political and domestic pressures that divide Antony's loyalties

I am revising Antony and Cleopatra I for SS2 Literature in English. Test me on the politic

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Teach me: The two poets' handling of celebration and loss in a single written comparison, compared

You are my personal SS2 Literature in English tutor. Teach me the two poets' handling of c

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Quiz: The background of Fleur Adcock and Wilfrid Wilson Gibson

I am revising Adcock and Gibson for SS2 Literature in English. Test me on the background o

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Teach me: The plot of Efua Sutherland's The Marriage of Anansewa

Be my SS2 Literature in English teacher for this one point: the plot of Efua Sutherland's

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Quiz: Interpreting the themes of survival, deception, parental ambition and communal judgement

Quiz me on interpreting the themes of survival, deception, parental ambition and communal

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Teach me: The opening third of the novel chapter by chapter, recording narrative viewpoint and time shifts

You are my personal SS2 Literature in English tutor. Teach me the opening third of the nov

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Quiz: The author's diction, including her handling of Liberian English

I am revising Redemption Road I for SS2 Literature in English. Test me on the author's dic

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Teach me: How characterisation is achieved for the principal figures

I am an SS2 student studying Redemption Road II in Literature in English. Explain how char

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Quiz: Introduce Pede Hollist and summarise the movement of So the Path Does Not Die from Sierra Leone

Quiz me on introduce Pede Hollist and summarise the movement of So the Path Does Not Die f

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Spot my mistake: Writing a PEEL paragraph of at least 200 words on how Hollist uses humour to handle a serious

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Teach me: The setting and language of the courtroom scenes

I am an SS2 student studying To Kill a Mockingbird II in Literature in English. Explain th

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Teach me: The poetic devices at work, including metaphor, personification, contrast and sound patterning

Be my SS2 Literature in English teacher for this one point: the poetic devices at work, in

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