Literature-in-English
AI prompts for senior secondary learners.
More than one set-text list, on purpose
WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.
336 prompts matching "Submit a completed five-senses grid with at least eight quotations placed correc"
Practice set: Comparing how each poem uses physical detail
Act as my SS3 Literature-in-English tutor. Give me five practice questions on comparing ho
Subscribe to unlock allTeach me: The defiant voice of Still I Rise
You are my personal SS3 Literature-in-English tutor. Teach me the defiant voice of Still I
Subscribe to unlock allWAEC prep: The restrained grief of The Stone
Act as a WAEC/NECO Literature-in-English examiner. I am in SS 3. Set me five exam-style qu
Subscribe to unlock allPractice set: Comparing three very different poetic voices
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Subscribe to unlock allPractice set: The ending of Once Upon a Time and the wish to relearn how to laugh
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Subscribe to unlock allPractice set: The yam in the savouring mouth as an image of comfort
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Subscribe to unlock allTeach me: Chanticleer and Pertelote as characters
You are my personal SS3 Literature-in-English tutor. Teach me Chanticleer and Pertelote as
Subscribe to unlock allTeach me: The references to slavery and ancestry in Still I Rise
You are my personal SS3 Literature-in-English tutor. Teach me the references to slavery an
Subscribe to unlock allPractice set: The woman's three days and nights of silence in The Stone
Act as my SS3 Literature-in-English tutor. Give me five practice questions on the woman's
Subscribe to unlock allSpot my mistake: Calling every comparison a metaphor even where the word like or as is present
Act as my SS3 Literature-in-English tutor. Write a short answer on calling every compariso
Subscribe to unlock allSpot my mistake: Assuming the persona of a poem is always the poet speaking in their own voice
Act as my SS3 Literature-in-English tutor. Write a short answer on assuming the persona of
Subscribe to unlock allSpot my mistake: Assuming a novel told through several viewpoints has no single controlling design
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Subscribe to unlock allSpot my mistake: Assuming a play built on real historical figures is bound to follow the historical record
Act as my SS3 Literature-in-English tutor. Write a short answer on assuming a play built o
Subscribe to unlock allSpot my mistake: Assuming a refrain carries the same weight on every repetition
Act as my SS3 Literature-in-English tutor. Write a short answer on assuming a refrain carr
Subscribe to unlock allSpot my mistake: Reading a first-person poem as autobiography and judging it true or false
Act as my SS3 Literature-in-English tutor. Write a short answer on reading a first-person
Subscribe to unlock allSpot my mistake: Summarising a play act by act when the question asks where its turning point falls
Act as my SS3 Literature-in-English tutor. Write a short answer on summarising a play act
Subscribe to unlock allSpot my mistake: Assuming a tragic figure must be admirable throughout for the tragedy to work
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Subscribe to unlock allSpot my mistake: Assuming silence in a courtroom scene amounts to an admission
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Subscribe to unlock allSpot my mistake: Assuming a cheerful surface in a poem rules out a serious subject
Act as my SS3 Literature-in-English tutor. Write a short answer on assuming a cheerful sur
Subscribe to unlock allSpot my mistake: Assuming a poem written as dialogue has no persona of its own
Act as my SS3 Literature-in-English tutor. Write a short answer on assuming a poem written
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