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Literature-in-English

AI prompts for senior secondary learners.

More than one set-text list, on purpose

WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.

📝 2 Literature-in-English practice tests with answers →📅 36-Week WAEC Study Guide for Literature-in-English →
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229 prompts matching "Building a characterisation table for four characters"

Spot my mistake: Calling every comparison a metaphor even where the word like or as is present

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Spot my mistake: Treating a first-person narrator's opinions as the novelist's own view

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Spot my mistake: Treating rhyme and rhythm as the same feature of a poem

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Spot my mistake: Retelling what happens in an unseen passage instead of answering the question asked about it

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Spot my mistake: Assuming the persona of a poem is always the poet speaking in their own voice

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Spot my mistake: Treating two contrasting settings in a play as mere locations rather than as opposed values

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Spot my mistake: Answering a question on theme by narrating the plot from beginning to end

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Spot my mistake: Assuming a novel told through several viewpoints has no single controlling design

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Spot my mistake: Reading a novel set in the past as a record of events that actually happened

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Spot my mistake: Assuming a child narrator understands everything the reader is meant to understand

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Spot my mistake: Confusing the tone of a novel with the mood it creates in the reader

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Spot my mistake: Treating a play that addresses its audience directly as a failure of dramatic illusion

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Spot my mistake: Reading dramatic irony as any moment in a play that surprises the audience

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Spot my mistake: Assuming a play built on real historical figures is bound to follow the historical record

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Spot my mistake: Treating a poem's subject matter as its theme

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Spot my mistake: Assuming a refrain carries the same weight on every repetition

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Spot my mistake: Reading a first-person poem as autobiography and judging it true or false

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Spot my mistake: Summarising a play act by act when the question asks where its turning point falls

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Spot my mistake: Assuming a novelist who presents a practice sympathetically must be endorsing it

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Spot my mistake: Treating a journey in a novel as movement between places rather than as a change in the traveller

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